#WHO WAS HAMLET FULL#
I managed to see an early version of this new production, ably directed by Denise Evans, at probably the best studio theatre space in Brighton, the New Venture Theatre.ĭillon took the square performance space and presented it in a diamond format, with audience fanned out from one corner and Dillon making full and intelligent use of the space provided by the opposite corner. Dillon presents in The Man Who Was Hamlet a combination of many-character performance, with historical exposition exploring the ‘real’ identity of William Shakespeare, proposing Edward de Vere as the real author of Hamlet and much (if not all) of the rest of the Bard’s repertoire. Dillon is back in 2009 with his one-man performance format, something he has done so well over recent years.
#WHO WAS HAMLET HOW TO#
Joanne Davis, THE ARGUS, 3rd December 2008įringeReview caught up with George Dillon, creator of Graft and The Gospel of Matthew the man about whom Steven Berkoff said: “…The best example of someone to watch how to perform is George Dillon…”īreakfast in Brighton with George Dillon! And a discussion about “The Man who was Hamlet – this was an opportunity too good to miss. With an impressive performance by Dillon, simple but effective lighting, and a score performed by Charlotte Glasson on multiple instruments, including a saw, this was a big production in a small theatre and a cut above your average one-man show. What kind of question, indeed, for de Vere’s story was not a revenge tragedy but one more familiar to its 21st century audience – one of advancement, and the legacy we leave behind. The play had its lighter moments – not least when de Vere, commencing, “To be or not to be…”, was cut off by William exclaiming: “What kind of question is that?”
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He later, rather foolishly, offered him one of his sonnets to use to win back his wife. If we are to believe Shakespeare based Hamlet on de Vere, or even that de Vere was Hamlet’s author, then this was de Vere’s revenge.įragments of the play were interspersed seamlessly with original writing – for example, de Vere’s silent grief for his father and the Polonius-like William Cecil’s advice to his ward to “neither a borrower nor a lender be”.Įven the young William made an appearance, with de Vere admonishing the boy for not learning to read or write. For more information, visit father’s ghost, a mother quick to remarry and a servant slain – Edward de Vere’s story has many parallels with that of Shakespeare’s Hamlet.Īctor George Dillon inhabited the role of the 17th Earl Of Oxford, a courtier, swordsman, adventurer, playwright and poet, whose ghost arose to tell his story. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. An up-to-date annotated guide to further reading Fresh images from the Folger Shakespeare Library’s vast holdings of rare books An essay by a leading Shakespeare scholar providing a modern perspective on the play An introduction to reading Shakespeare’s language A key to the play’s famous lines and phrases Newly revised explanatory notes conveniently placed on pages facing the text of the play Freshly edited text based on the best early printed version of the play
#WHO WAS HAMLET SERIES#
The authoritative edition of Hamlet from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:
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Much of its fascination, however, lies in its uncertainties.Īmong them: What is the Ghost-Hamlet’s father demanding justice, a tempting demon, an angelic messenger? Does Hamlet go mad, or merely pretend to? Once he is sure that Claudius is a murderer, why does he not act? Was his mother, Gertrude, unfaithful to her husband or complicit in his murder? It follows the form of a “revenge tragedy,” in which the hero, Hamlet, seeks vengeance against his father’s murderer, his uncle Claudius, now the king of Denmark. Hamlet is Shakespeare’s most popular, and most puzzling, play.